Noroi, The Curse (2005)

What few essays I've read on horror, none have yet acknowledged the feeling of "creepy". Horror and terror are distinct but I need to better understand creepy. As a long and complex entry in J-horror, Noroi  left me with a distinct chill about the silliest of symbols joined together in a demon resurrection film. Pigeons, ectoplasmic worms, child psychics, a village at the bottom of a dammed lake--Noroi has it all. Although it employs VHS tech for its atmosphere, it is not dependent on the technology for the dread it creates. Instead, Noroi is fascinating because it feels like such an ancient horror narrative that still leads the contemporary protagonists to frightening situations. Without attempting a long essay, that last sentence hints to my understanding of "creepy" as an effect in horror. Creepy is the doubt that makes an folk horror story real. A doubt that some magic has slipped through the cracks of science and reason. A doubt that the Kagutaba is out there. 

Watch Noroi, one of my new favorites.